Week three of Cinesthesia's Hell to the King kicks off with a rat-laden Stephen King gem that includes a rat cannon and a rat-bat monster.
Full StoryYear: 2019
Innocence, Hunger, Need: ‘Let the Right One In’ (Tomas Alfredson, 2008)
'Tomas Alfredson's 2008 vampire film 'Let The Right One In' is a story about innocence. It is a story of hunger and need.
Full Story‘Don’t Look Now’: Location As Monster
Nicolas Roeg’s 1973 psychological thriller finds a couple navigating the grief cycle and the water-surrounded city of Venice after their daughter drowns.
Full StoryHell to the King Pt. 14: ‘It’ (1990) — Cinesthesia
Cinesthesia wrestles with Stpehen King's calling card work in the 1990 TV miniseries adaptation of 'It' and how it relates to the larger King Macroverse.
Full StoryGrandpaw Cryptkicker’s Hoo Doo Tunes from the Twilight Zone Vol. 1
A mysterious message containing an even more mysterious playlist materialized in our realm We received the following e-mail at Split Tooth HQ this week. At first we thought it was...
Full StoryHell to the King Pt. 13: ‘Pet Sematary’ (1989) — Cinesthesia
Jason and Jim start to crack after 13 straight days of episodes Reincarnated cats, children and brides. Neighbors with good intentions and bad advice. Truck 666 and tonally awkward Ramones...
Full StoryReel Rap: ‘The Night of the Hunter’ (1955)
Reel Rap is taking a break from Sofia Coppola films to jump into Split Tooth's 31 Days of October Horror series with 'The Night of the Hunter.'
Full Story‘The Battery’: Adjusting To A New Reality After The Death Of Everyone Else
Jeremy Gardner's debut film follows two ex-baseball players adjusting to a new reality in life after the death of everybody else
Full StoryHell to the King Pt. 12: ‘The Running Man’ (1987) — Cinesthesia
Cinesthesia tackles the first King adaptation written under his pen name Richard Bachman Jim finds a new love in this dumb smart movie with a terrible title, unlike Romper Stomper,...
Full StoryBob Clark Shows Why ‘Children Shouldn’t Play with Dead Things’
Before making two of the most beloved Christmas films of all time, Clark directed this eccentric and bleak horror-comedy on the cheap in Florida
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