The 'Ghostwatch' premiere swept the UK into a frenzy. It continues to terrify audiences with its paranormal investigation gone horribly wrong
Full StoryYear: 2022
The Many Hands of Orlac: Robert Florey’s ‘The Beast With Five Fingers’ (1946)
Steve Collins concludes his investigation into The Hands of Orlac adaptations with a look at an “Orlac-adjacent” thriller Lest you think making sophisticated horror films about art and the artistic...
Full StorySplit Tooth Media Presents: The Sounds of October Horror
Breanna McCann isn't a fan of horror movies. So we asked her to compile a playlist of her favorite spooky records for October Horror.
Full StoryWalls and Bridges: Roger Watkins and ‘Shadows of the Mind’ (1980)
Watkins' follow-up to 'Last House on Dead End Street' is a deeply compromised film, but offers glimpses of his unique brand of horror.
Full Story‘Celia’ (1989): Wonders and Horrors of A Childhood
A hidden gem of Australian folk horror, 'Celia' follows a young girl as she navigates a fractured world of scapegoats and lurking hobyahs.
Full StoryAtrocity Exhibition: James Marsh’s ‘Wisconsin Death Trip’ (1999)
'Wisconsin Death Trip' is an unclassifiable, tongue-in-gaunt-cheek American Gothic oddity that bends time toward cosmic delusion.
Full StoryMake Your Choice: ‘Saw VI’ and the ‘Saw’ Cycle’s Confused Politics
The question "is Jigsaw pure evil" is modified, questioned, and inverted through the Saw series. In VI, he takes on the healthcare industry.
Full StoryThe Many Hands of Orlac: Karl Freund’s ‘Mad Love’ (1935)
Karl Freund's 1935 reimagining of 'The Hands Of Orlac' approaches the story from the perspective of Orlac's doctor.
Full StorySplit Picks: Sergio Martino’s ‘The Strange Vice of Mrs. Wardh’ (1971) Vs. ‘Mountain Of The Cannibal God’ (1978)
Split Picks’ Italian horror series wraps up with a classic Martino giallo and a controversial cannibal film The finale of Split Picks’ Italian horror series has arrived, and it closes...
Full StoryYou’re Not Going Anywhere, Wes: ‘Scream 3’ (2000)
Wes Craven's frustration with the Hollywood system that forced him into sequel servitude drives Scream 3 and makes it the best of the series.
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