Categories Editor's PicksFilmOctober Horror

Split Tooth Media Presents: October Horror 2023

For its fifth year, October Horror returns with a vengeance!

If you’re reading this, that means you have survived long enough to take part in…. October Horror Pt. V! Where so many horror movie series reach a fifth installment and run out of steam or go completely off the rails — for the latter, this can often make for great results — Split Tooth is proud to say, we’ve only just begun!

Just when you thought it might be safe to explore Split Tooth’s latest offerings, we have a whole new lineup of terrors to unleash: alien invasions, rambunctious cryptids, vengeful ghosts haunting international franchises, sensitive vampires, avant garde nightmares, ghosts in the Outback, and underwater beasts rising from the deep! October Horror has it all this year.

Throughout the month, we will be sharing new horror criticism almost daily, with a mini-series devoted to Backyard Horror productions, and a new series of Split Picks podcasts focusing on Japanese Horror. Stay tuned for online film premieres, interviews with filmmakers, and a month’s worth of long-form writing on some of the best and most fascinating works of horror cinema. You are bound to discover some new favorite films to scare your friends with!

This list will be updated daily as titles are added every weekday throughout the month. Follow along with the series on our FacebookTwitter, and Letterboxd pages to stay updated with all things October Horror!

Our Favorite Horror Films… Returns!!

Love in Wain: The Flesh and Blood of Paul Morrissey by Brett Wright

Ceci N’est Pas Un Jason: Speculations on the Franchise Surrealism of Friday the 13th by Spencer Parsons

The Right Place: Martyrs and Monsters in Suffer Little Children (1983) by Stephen Broomer

Mickey Dogface (2022): An interview with Zach Fleming by Jim Hickcox

Split Picks Japanese Horror: Takashi Miike’s Audition Vs. Lesson of the Evil

Children and Death in David Cronenberg’s Camera (2000) by Jason Michelitch

Second Deaths: Metaphors for Tolerance in Mindwarp (1992) by Stephen Broomer

Dissolve and Coagulate: Timo Tjahjanto and Gareth Evans’ Safe Haven (2013) from V/H/S/2 by Oliver O’Sullivan

Human Lanterns (1982): A Malevolent Glow In The Depths Of The Dark by Craig Wright

Beyond Appearance: Guillermo del Toro’s Mimic and its Sequels by Frankie Vanaria

Cinematic Negation: Alternative Operations of Horror in Zombies Invade Pittsburg by Vincent Albarano

Make Your Own Kind of Music: Motern Media’s Heard She Got Married and Metal Detector Maniac by Bennett Glace

Online Premiere and Interview: Frank Mosley’s Invaders From Venus! (2003) by Craig and Brett Wright

We Haunt the Airwaves: Halloween Party (1989) by Brett Wright

Split Picks Japanese Horror: Kiyoshi Kurosawa’s Cure (1997) Vs. Daguerrotype (2016)

Monozygotic Malpractice: David Cronenberg’s Dead Ringers (1988) by Oliver O’Sullivan

Your Meeting Is About To End: Host (2020) by Craig Wright

Paperback: Prisoners of the Printed Page and the Frayed Aesthetics of The Timekeepers of Eternity (2021) by Stephen Broomer

Avant Horror: Ernie Gehr’s Serene Velocity (1970) by Bennett Glace

Split Picks Japanese Horror: The Grudge (2004) Vs. The Grudge (2020)

Lake Mungo (2008): The Oral History by Daniel Bromfield

Shriek Of The Mutilated (1974): Time For An Atrocity by Brett Wright

William Peter Blatty’s The Exorcist III (1990): Destruction Of The Godhead by Michael Roberson

Composition With Red, Blue And Yellow: Andrew Traucki’s The Reef (2010) by Oliver O’Sullivan

Eternally Screaming: Skinned Deep (2004) and Creating a Home For a Monstrous Family by Craig Wright

Split Picks Japanese Horror: The Grudge (Takashi Shimizu, 2002)

Follow Split Tooth Media to stay up to date with all things October Horror
October Horror graphic by Jim Hickcox
(Split Tooth may earn a commission from purchases made through affiliate links on our site.)